Conversation with Hala Elkoussy about East of Noon (2024), Vriza Productions (May 2024)
‘Peripheral Visiting: Invitations from the Karrabing’s Living Archive’. Third Text (May 2024)
‘Interlude 1: Crablike Collective Moves’. With Rex Butler, Khadija von Zinnenburg Carroll et. al. Third Text (May 2024)
‘The land keeps the score: Ghosting environments in documentary re-enactments’. Moving Image Art Review and Journal (MIRAJ), Volume 12 (February 2024)
‘Beyond and from below: Rehearsing reparative futures in the VR roleplays of Cao Fei and Ana María Millán’. Futures, Volume 156 (February 2024)
‘Trickster Abrakadabra: The Art of Hosting or Declaring Yourself a Guest’, with Renate Dohmen. Third Text (January 2024)
‘Ontdekkingen, uitzichten en inzichten. De toverlantaarn als voorloper van de koloniale documentaire’. Accolade, Jaargang XLI (2023)
‘Sacred Cinema: an interview with Luna Marán’. MAI: Feminism & Visual Culture (Autumn 2023)
‘De vreemdeling en de toverlantaarn’. Mededelingen van de Stichting Jacob Campo Weyerman 46, Issue 1 (Summer 2023)
‘Graduation Special’ – Andrei Lumpan, Uma Naddermier, Jordi de Vetten. Metropolism M, No. 4 (Summer 2023)
‘The Touchstone of Vision: Remembering the Indigenous Gaze in Stones Have Laws‘. Archivo Papers Journal, Volume 3, Issue 1 (May 2023)
‘Gathering Through the Image: A Performative Kind of Kinship‘. Performance Paradigm 16 (May 2021)
‘Surveillance, bias, and healing through re-articulation: An interview with Paula Albuquerque on her recent solo exhibition in Amsterdam.’ NECSUS European Journal of Media Studies. (16 May 2021)
Kultur und Entkolonialiseringsübungen: von der anerkennung zum verlernen / Kultur og Dekoloniale Øvelser: fra erkjennelse til avlaering. Goethe Institut Norway. (10 March 2021)
Almanaccare – online publication. Co-edited with Jo Harrison, Iside Pandolfo, Guido Santandrea and Bianca Stoppani. Almanac Projects (Spring 2021)
Chapter: ‘Mona Hatoum and Morehshin Allahyari’s Disruptive Bodies.’ In: Basia Sliwinska (ed.) Feminist Visual Activisms and the Body. Routledge, 2020
‘The Earth is as Blue as an Orange’. Frames of Representation catalogue. (November 2020)
“Cultuur en dekoloniale oefeningen: van erkennen naar ontleren”. The Dutch Review of Books. (19 Nov 2020)
Book review: ‘Making Worlds‘. Historical Journal of Film, Radio and Television. (9 November 2020)
Introduction to Kiluanji Kia Henda’s Havemos de Voltar, Vdrome.org (February 2020)
‘Stones Have Laws en de meerstemmige documentaire’, Rekto Verso. (January 2020)
‘Stones Have Laws’, Frames of Representation catalogue. (April 2019)
‘Letter from Houston’, Art Monthly. (March 2019)
‘Téchne Is About Effort – A Conversation with Elizabeth A. Povinelli’, Téchne catalogue, Theater Rampe and Künstlerhaus Stuttgart. (June 2017)
‘Gulîstan, Land of Roses’, Frames of Representation catalogue. (April 2017)
‘Art as experience’, Feel the Discourse! exhibition catalogue, Guest Projects London. (March 2015)
‘It’s moving from I to It’, FormContent exhibition catalogue. (2014)
Derek di Fabio, Yslands – exhibition catalogue, Almanac Projects. (2014)
FIGHT 13: Jaś Domicz, Max Ruf exhibition text, coeval.gen.in at CENTER, Berlin (2014)
The Immaterial Almanac – exhibition catalogue, Almanac Projects. (2014)
‘De-Genderings. A Conversation with Derek Di Fabio‘, Arte e Critica. (2013)
‘The Magic of the State‘ – exhibition review, Arte e Critica. (2013)
‘Mike Kelley. The Order of Failure‘ – exhibition review, Arte e Critica. (2013)
Fay Nicholson, A. the weave, grid, fold. Read through the history of infinity – exhibition catalogue, Almanac Projects. (2013)
Joshua Sex, Room for an Arrow – exhibition catalogue, Almanac Projects. (2013)
Yver Scherer, Evolution and Comfort – exhibition catalogue, Almanac Projects. (2013)
Response for The Geological Turn: art and the Anthropocene, Banner Repeater (2012)
Maquerades of Truth, Parrhesia: Technologies of Truth. Goldsmiths College (2012)
